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nerequiresthattheho,haryyard,andafew</p>

datetrees,stbeableteitselfdiouslyinspadgiven</p>

diousspaaaasinallruralcivilizations,thehouseitself</p>

dparativelylessiortantpositioninthegeneralscheofthe</p>

hogarden.</p>

hunuan</p>

otoairelyplat</p>

oidstofhhesueedsindigging</p>

afivefootpondtokeephisgoldfishandkingaundthattakeants</p>

fiveocrae.</p>

thereisnorepoultryyard,noch</p>

ebeesphysicallylikea</p>

pigeonshousecalledan”apartnt,”binationofbuttons,sches,</p>

cabis,rubberts,keyholes,se.</p>

therearenoattiehas</p>

gonesofarthatsoepeopleareevenproudofthefactthattheysleepona</p>

bedesofa.theyshoarvelat</p>

deteodespiritualhoisbrokenupbecause</p>

thephysicalhohasdisappeared,asedoveintoa</p>

threeroolatandthene.</p>

theaveragepooreseiryhasrespaceofhisohananewyork</p>

professor.butthereareeselivingincitiesasownhuge</p>

gardens.</p>

artnsistsindoinganfancies</p>

toeinahenotonyofblankpedbackyards.shenfu</p>

ddleeighteeury,authorofthefoushengliuchi,outlihistender</p>

littlebook,sthebestspiritofeseculture,hoholar</p>

theprincipleularityinese</p>

arent</p>

andsurprise,asentinthedesigningoftheris</p>

untryvillaasinthatofthepoorscholarsdhisix</p>

entofthisprinciple.h</p>

thisforlaakeevenapoorscholarshouse</p>

artistiulathathe</p>

largeiathellandthesllinthelarge,providefortherealinthe:nrealandforthe</p>

unrealinthereal.”shenfussays:</p>

astotheplanningofgardenpavilionsandtohouses,andinthedesigningofrockeryorthetrainingofflorees,oneshouldtrytoshow</p>

thesllinthelargeandthelargeinthesll,andprovidefortherealintheunreal</p>