in</p>

sizeandposition.thisprinalledshift,or”posture,”sabeauty</p>

ofntutheresultisthat,inthehighestexalesofthisart,wehave</p>

strusinglyunbalandyetsohoaintainthe</p>

balanayofrelystatic</p>

proportionsisthediffereanstandingorsittingina</p>

restingpositionandthesnapshotofansick,orofafootball</p>

playersenttheballsthroughtheair.justasthepictureofalady</p>

tossingherheadisresuggestiveofventthanonehherheadonastraight</p>

level,sotheesetersteopstiltedtoonesidearepreferred</p>

artistietricalhead.thebestexalesofthistypeof</p>

struenglung,ers</p>

givetheeffectofbeingalainin</p>

balahisstyleistobeseenintheingsofyu</p>

ylijen,chairnofthentrolyuan,positionverylargelyto</p>

hisrenoofhighorder.</p>

deartisinsearsandexperintingonnesofstructureand</p>

pattes.ithasnotfou.ithassupressiontoesostapparentteristicistheeffort,notto</p>

sootheusbuttojaronoursenses.forthisreason,astudyofesecalligraphyand</p>

itsanistisofthenaturalworldin</p>

thelightofthisanistiicvitality,givesproseofgreat</p>

possibilities.theprofuseusehtlines,planes,arikiher</p>

atdifferentangleslyexciteus,buttheyeverbealivehbeauty.these</p>

plaraightlinesandtohaveexhaustedthede</p>

artistsiy.aiforsoeartistto</p>

strikeapiohbypractisingenglishcalligraphyyears,</p>

andthen,ifheistalentedandreallyuandstheanisticiple,hewillbe</p>

abletoessquare,inlinesandfortrulyhyofthe</p>

naofanart.</p>

thefullsignifialligraphyasthebasisofeseaestheticswillbe</p>

seeninastudyofesepaintingandarture.inthelinesandpositionof</p>

sandstructuresofesearture,weshallbe</p>

abletheprinesecalligraphy.thesebasic</p>

ideasofrhythforndatspheregivethedifferentlinesofeseart,like</p>

poetry,painting,arture,porcelainandhousederations,aialunityof</p>

spirit.</p>

iii.painting</p>

esepainting,thefloure,isdistinguishedbyaspiritandan</p>

atsphereallitso</p>

epoetry.thatdifference</p>